An account of Western visual technologies since the Renaissance traces a history of the increasing control of light's intrinsic excess. Light is the condition of all vision, and the visual media are our most important explorations of this condition. The history of visual technologies reveals a centuries-long project aimed at controlling light. In this book, Sean Cubitt traces a...(展开全部)

An account of Western visual technologies since the Renaissance traces a history of the increasing control of light's intrinsic excess. Light is the condition of all vision, and the visual media are our most important explorations of this condition. The history of visual technologies reveals a centuries-long project aimed at controlling light. In this book, Sean Cubitt traces a...(展开全部)

Following the success of “Sleeves of Desire”, a second publication is now being devoted to the cover art of the label ECM, Edition of Contemporary Music, focusing above all on sleeve design from 1996 to the present. Since its founding in 1969, ECM has been dedicated primarily to jazz and contemporary classical music and is a leading international label in both these fields. ECM...(展开全部)

Following the success of “Sleeves of Desire”, a second publication is now being devoted to the cover art of the label ECM, Edition of Contemporary Music, focusing above all on sleeve design from 1996 to the present. Since its founding in 1969, ECM has been dedicated primarily to jazz and contemporary classical music and is a leading international label in both these fields. ECM...(展开全部)

这部著作是对现代思想之根源的揭示。标题中的“Ethics”一词并非指道德意义上的伦理，而是要按照亚里士多德的ta ethe的意义来理解，ta ethe指的是人在世界中行动的特定习惯，因此，所谓“几何学的伦理”指的就是传授和学习几何学的习惯方式和风格。本书探究了欧几里得 《原本》与笛卡尔《几何》在“做几何的习惯方式”上的根本差异，打破了传统数学史把古今一切几何作图都视为“构造”的神话，清楚地揭示出“构造”的观念与古典思想格格不入，作为一项筹划的“构造”是现代性的缔造者们的新发明，它在笛卡尔几何学中起源，在康德的三大批判中瓜熟蒂落，成为从康德到尼采乃至后现代主义的整个现代思想的关键特征。本书原计划有一部续作，题为《构造的主权》（The Sovereignty of Construction），旨在考察笛卡尔几何学的遗产在霍布斯、莱布尼兹和康德手中的进一步...(展开全部)

这部著作是对现代思想之根源的揭示。标题中的“Ethics”一词并非指道德意义上的伦理，而是要按照亚里士多德的ta ethe的意义来理解，ta ethe指的是人在世界中行动的特定习惯，因此，所谓“几何学的伦理”指的就是传授和学习几何学的习惯方式和风格。本书探究了欧几里得 《原本》与笛卡尔《几何》在“做几何的习惯方式”上的根本差异，打破了传统数学史把古今一切几何作图都视为“构造”的神话，清楚地揭示出“构造”的观念与古典思想格格不入，作为一项筹划的“构造”是现代性的缔造者们的新发明，它在笛卡尔几何学中起源，在康德的三大批判中瓜熟蒂落，成为从康德到尼采乃至后现代主义的整个现代思想的关键特征。本书原计划有一部续作，题为《构造的主权》（The Sovereignty of Construction），旨在考察笛卡尔几何学的遗产在霍布斯、莱布尼兹和康德手中的进一步...(展开全部)

This book’s basic argument is that the Freudian unconscious, far from constituting a radical break with the philosophy of consciousness, is merely the latest exemplar in a heritage of philosophical misunderstanding of the Cartesian cogito that interprets “I think, therefore I am” as “I represent myself, therefore I am” (in the classic interpretation of Heidegger, one of the tar...(展开全部)

This book’s basic argument is that the Freudian unconscious, far from constituting a radical break with the philosophy of consciousness, is merely the latest exemplar in a heritage of philosophical misunderstanding of the Cartesian cogito that interprets “I think, therefore I am” as “I represent myself, therefore I am” (in the classic interpretation of Heidegger, one of the tar...(展开全部)